Mockingjay (The Final Book of The Hunger Games) [Kindle Edition]

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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made against each other with the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who do they think should pay for that unrest? Katniss. And what's worse, President Snow has managed to get clear that no one else is safe either. Not Katniss's family, not her friends, not individuals of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises being one with the most talked about books with the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said through the start that The Hunger Games story was intended as a trilogy. Did it genuinely end the best way you planned it from the beginning?

A: Very much so. While I did not know every detail, of course, the arc of the story from gladiator game, to revolution, to war, on the eventual outcome remained constant through the entire writing process.

Q: We understand you worked around the initial screenplay to get a film to become according to The Hunger Games. What will be the biggest difference between writing a novel and writing a screenplay?

A: There have been several significant differences. Time, for starters. When you are adapting a novel in to a two-hour movie you simply can't take everything with you. The story has to be condensed to match the new form. Then you have the question of how best to adopt a book told in the first person and offer tense and transform it right into a satisfying dramatic experience. In the novel, you won't ever leave Katniss for any second and so are privy to any any of her thoughts so you'll need a way to dramatize her inner world and to generate it feasible for other characters to exist outside of her company. Finally, you have the challenge of the way to present the violence while still maintaining a PG-13 rating in order that your core audience can view it. A lot of situations are acceptable on the page that may not be over a screen. So how certain moments are depicted could eventually be inside director's hands.

Q: Have you been capable to consider future projects while working on The Hunger Games, or are you immersed in the world you're currently creating so fully that it is just too challenging to consider new ideas?

A: I've a number of seeds of ideas floating around during my head but--given much of my focus continues to be on The Hunger Games--it will probably be awhile before one fully emerges i can start to develop it.

Q: The Hunger Games is a yearly televised event in which one boy and something girl from each from the twelve districts is forced to participate in the fight-to-the-death on live TV. What can you imagine the benefit of reality television is--to both kids and adults?

A: Well, they're often setup as games and, like sporting events, there's an desire for seeing who wins. The contestants are usually unknown, which means they are relatable. Sometimes they've got very talented people performing. Then there's the voyeuristic thrill—watching people being humiliated, or brought to tears, or suffering physically--which I have found very disturbing. There's also the possibility for desensitizing the audience, to ensure that once they see real tragedy playing out on, say, the news, it does not contain the impact it should.

Q: In case you were instructed to compete within the Hunger Games, so what can you believe your skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I had been trained in sword-fighting, I guess my best hope would be to acquire hold of a rapier if there were one available. But the reality is I'd probably get with relation to a four in Training.

Q: What would you hope readers can come away with after they read The Hunger Games trilogy?

A: Questions about how precisely elements from the books might be relevant of their own lives. And, if they are disturbing, what you might do about them.

Q: What were some of your favorite novels when you are a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord in the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss a single more Hunger Game, but this time around it really is for world control. While it is often a clever twist for the original plot, it means that there's less focus for the individual characters plus much more on political intrigue and large scale destruction. That said, Carolyn McCormick will continue to breathe life in a less vibrant Katniss by showing her despair both at those she feels responsible for killing and possibly at her very own motives and choices. This is an older, wiser, sadder, and extremely reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn with the rebels and also the victim of President Snow, who uses Peeta to attempt to control Katniss. Peeta's struggles are very evidenced in the voice, which goes from rage to puzzlement to a unsure return to sweetness. McCormick also makes all the secondary characters—some malevolent, others benevolent, and several confused—very real with distinct voices and agendas/concerns. She acts like an outside chronicler in giving listeners just “the facts” but also respects the individuality and different challenges of each one with the main characters. A successful completion of the monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.






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